Bakemono no Ko (The Boy and the Beast) Original Soundtrack – Review

bakemono-no-ko-ost

Album Title: Bakemono no Ko (The Boy and the Beast) Original Soundtrack
Anime Title: Bakemono no Ko (The Boy and the Beast)
Artist: Masakatsu Takagi
Catalog Number: TFCC-86527
Release Type: Soundtrack
Release Date: July 08, 2015
Purchase at: CDJapan


Tracklist

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Track Title Artist Time
01. The Beast Festivities Masakatsu Takagi 2:43
02. Attractive Force Masakatsu Takagi 2:01
03. Stray Boy Masakatsu Takagi 2:29
04. Horizon Masakatsu Takagi 1:59
05. Cosmos In a Child Masakatsu Takagi 1:28
06. The Beast Sinfonia Masakatsu Takagi 5:13
07. Numerous Vortexes Masakatsu Takagi 1:59
08. Awaken Hill Masakatsu Takagi 1:35
09. Pupil Masakatsu Takagi 1:30
10. Boys Under the Summer Sky Masakatsu Takagi 1:18
11. Wonderful Adventures Masakatsu Takagi 3:36
12. Days We All Have Masakatsu Takagi 3:59
13. A Child Full of Life Masakatsu Takagi 3:07
14. Another Life Masakatsu Takagi 1:12
15. Free the Wind Masakatsu Takagi 2:54
16. Two Tomorrow Masakatsu Takagi 2:34
17. Lotus In Mud Masakatsu Takagi 1:25
18. Portrait Of Solitude Masakatsu Takagi 1:39
19. What Sustains You from the Inside Masakatsu Takagi 1:23
20. Beautiful Season Masakatsu Takagi 1:20
21. Darkness Masakatsu Takagi 1:28
22. Cradle Song Masakatsu Takagi 1:37
23. Juvenile Psalms Masakatsu Takagi 2:03
24. Trace Of Hollow Dreams Masakatsu Takagi 1:58
25. Gift Masakatsu Takagi 3:45
26. The Whale Masakatsu Takagi 2:06
27. A Sword In Your Soul Masakatsu Takagi 3:01
28. My Name Masakatsu Takagi 4:37

Review: From the opening measures, Masakatsu Takagi’s soundtrack for Bakemono no ko (The Boy and the Beast) is no rehash of his sublime score for Wolf Children. His compositions feel just a bit clumsier, maybe even a bit unrefined and feral, but his penchant for warm, moving melodies remains. These differences are to be expected. After all, moms and dads are both unlike in sensibilities and those differences play out wonderfully in Bakemono no Ko’s soundtrack.

“The Beast Festivities” discards any indication of gentleness by injecting rambunctiousness through a bouncing melody. The giddy tempo then rides in to pull you harder and faster into the cacophonous chaos. As you barrel your way through the piece, it’s naturally to feel your pulse quicken as you find yourself ready to embark upon an exciting journey with a bit of trepidation, accompanied by a well-meaning beast-man bearing a confident smirk.

The Beast Festivities

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And with that, our story begins. The next few tracks lay out the backstory which starts with a chaotic aura manifested through a dissonant electronica crescendo in “Attractive Force”. The overarching emotions it conveys are uncertainty coupled with hints of tragedy and “Stray Boy” picks up on these sentiments, with its warbling, howling ambience before shifting into an ominous ostinato that signals the start of an adventure, with all the adrenaline-pumping panic and exuberance that ensues.

Starting with “Horizon”, Takagi’s style from Wolf Children emerges through a mellow piano tone that, while stilted and clumsy, charmingly captures the blossoming friendship between the human boy Ren and the brutish beast-man, Kumatetsu. The tracks that follow yield some lovely vignettes.

Horizon

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For example, the woodwinds in “Cosmos In a Child” deliver a sense of mischief as the two begin to grow accustomed to each other. “Pupil” furthers that theme with a heartwarming, uplifting guitar melody. And “Days We All Have” trots along delightfully, channeling a sublime piano melody that winds its way about to leave you glowing in contentment. The theme is reprised immediately after in “A Child Full of Life”. Here, the orchestral arrangement is an utter joy to listen to, especially when the cello’s warm timbre settles in. Of all the themes/motifs that Takagi employs, this one is my favorite by far.

Cosmos In a Child

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A Child Full of Life

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Interrupting those vignettes is an excellent set piece, “The Beast Sinfonia” which depicts one of the grandest scenes early on in the film. Here, Kumatetsu and his rival, the nobler Iozan square off in a wrestling match that quickly grows heated and intense. Takagi’s composition echoes the action, taking the motif from the opening track and sculpting the rhythm to capture the battle’s ebbs and flows, including a section where the orchestra grinds its way deliberately to illustrate Kumatetsu’s struggle to prevail before giving up completely with a whimper as the melody trails off.

The joyful moments continue their course, but once Bakemono no Ko treads into darker waters, so too does the soundtrack. A discernible shift occurs in the foreboding “Lotus in Mud” where dissonant chimes and a cacophonous blare herald the coming calamity. The orchestra then seizes upon the imminent tension by pouncing in with intense action music that whizzes about at a dizzying pace in “Portrait of Solitude”. There’s a respite in the next few tracks, but again, the eerie dissonance returns, coming to a head in “Trace of Hollow Dreams” where disembodied voices abound and the strings pronounce an aura of dread that begins the descent into tragedy.

Portrait of Solitude

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But hope still remains and “A Sword in Your Soul” is where it materializes. For after the harried battle tracks enter the fray, there’s a moment of tranquility borne by the piano and strings to lift your spirits. Takagi’s melody is enough to restore the inner strength needed to finish the battle out atop the grandiose brass fanfares and close the soundtrack once and for all with an uplifting piece that’s hearkens towards a better tomorrow.

A Sword in Your Soul

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While I didn’t feel as tight an emotional connection with Masakatsu Takagi’s score for Bakemono no Ko as I did with Wolf Children, there’s no denying his deft grasp in setting Mamoru Hosoda’s narrative to music. From the blaring brass’s energy, to the occasional stilting orchestral melodies, to the piano’s blossoming warmth, Takagi’s music is exquisite, its delivery poignant, rawness and all, in tying together a beautiful father-son dynamic.

Rating: Very Good

zzeroparticle

Anime Instrumentality's Founder and Editor-in-Chief. As you can probably guess, I'm a big anime music junkie with a special love for composers who've put out some beautiful melodies to accompany some of my favorite anime series. I tend to gravitate towards music in the classical style with Joe Hisaishi and Yoko Kanno being a few of my favorite composers, but I've come to appreciate jazz and rock as anime music has widened my tastes.

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