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	<title>Anime Instrumentality Blog &#187; Kannagi</title>
	<atom:link href="http://blog.animeinstrumentality.net/tag/kannagi/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.animeinstrumentality.net</link>
	<description>Anime Music! OP/ED and Soundtrack Reviews.</description>
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		<title>Kannagi Character Karaoke CD &#8211; &quot;Nagi Uta&quot; &#8211; Review</title>
		<link>http://blog.animeinstrumentality.net/2009/04/kannagi-character-karaoke-cd-nagi-uta-review/</link>
		<comments>http://blog.animeinstrumentality.net/2009/04/kannagi-character-karaoke-cd-nagi-uta-review/#comments</comments>
		<pubDate>Sun, 05 Apr 2009 11:10:59 +0000</pubDate>
		<dc:creator>zzeroparticle</dc:creator>
				<category><![CDATA[Soundtrack Reviews]]></category>
		<category><![CDATA[Character CD]]></category>
		<category><![CDATA[Eri Takenashi]]></category>
		<category><![CDATA[Haruka Tomatsu]]></category>
		<category><![CDATA[Hiro Shimono]]></category>
		<category><![CDATA[Kana Hanazawa]]></category>
		<category><![CDATA[Kannagi]]></category>
		<category><![CDATA[Karaoke]]></category>
		<category><![CDATA[Miyuki Sawashiro]]></category>
		<category><![CDATA[Risa Hayamizu]]></category>
		<category><![CDATA[Satoru Kousaki]]></category>
		<category><![CDATA[Shirige Tai]]></category>
		<category><![CDATA[Takanori Hoshino]]></category>
		<category><![CDATA[Tetsuya Kakihara]]></category>
		<category><![CDATA[Vocal Collection]]></category>

		<guid isPermaLink="false">http://blog.animeinstrumentality.net/?p=544</guid>
		<description><![CDATA[Album Title: Kannagi Character Karaoke CD &#8211; &#8220;Nagi Uta&#8221; Anime Title: Kannagi Artist: Miyuki Sawashiro; Takanori Hoshino; Tetsuya Kakihara; Hiro Shimono; Haruka Tomatsu; Risa Hayamizu; Kana Hanazawa; Shirige Tai; Satoru Kousaki; Eri Takenashi Catalog Number: ANZB-3630 Release Type: Character CD Release Date: March 25, 2009 Track Title Artist Time 1. Ichiban Boushi Miyuki Sawashiro 1:58 [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://blog.animeinstrumentality.net/wp-content/uploads/2009/04/kannagi-karaoke.jpg"><img src="http://blog.animeinstrumentality.net/wp-content/uploads/2009/04/kannagi-karaoke.jpg" alt="" title="kannagi-karaoke" width="500" height="368" class="alignnone size-full wp-image-545" /></a></p>
<table id="AMGtable" class="sortable" border="1" width="600" align="center">
<tbody>
<tr>
<th><strong>Album Title:</strong></th>
<td>Kannagi Character Karaoke CD &#8211; &#8220;Nagi Uta&#8221;</td>
</tr>
<tr>
<th><strong>Anime Title:</strong></th>
<td>Kannagi</td>
</tr>
<tr>
<th><strong>Artist:</strong></th>
<td>Miyuki Sawashiro; Takanori Hoshino; Tetsuya Kakihara;<br />
Hiro Shimono; Haruka Tomatsu; Risa Hayamizu; Kana Hanazawa;<br />
Shirige Tai; Satoru Kousaki; Eri Takenashi</td>
</tr>
<tr>
<th><strong>Catalog Number:</strong></th>
<td>ANZB-3630</td>
</tr>
<tr>
<th><strong>Release Type:</strong></th>
<td>Character CD</td>
</tr>
<tr>
<th><strong>Release Date:</strong></th>
<td>March 25, 2009</td>
</tr>
</tbody>
</table>
<p><span id="more-544"></span></p>
<table id="AMGtable" class="sortable" border="1" width="600" align="center">
<tbody>
<tr>
<th>Track Title</th>
<th>Artist</th>
<th>Time</th>
</tr>
<tr>
<td>1. Ichiban Boushi</td>
<td>Miyuki Sawashiro</td>
<td>1:58</td>
</tr>
<tr>
<td>2. I Believe You Forever</td>
<td>Takanori Hoshino</td>
<td>1:45</td>
</tr>
<tr>
<td>3. Kimi to Run Away</td>
<td>Tetsuya Kakihara</td>
<td>1:45</td>
</tr>
<tr>
<td>4. Amore Seishun</td>
<td>Hiro Shimono</td>
<td>2:45</td>
</tr>
<tr>
<td>5. Hello Daizu no Uta</td>
<td>Haruka Tomatsu</td>
<td>0:36</td>
</tr>
<tr>
<td>6. Jun♥Ai (Pure Love) Generation</td>
<td>Kana Hanazawa</td>
<td>1:10</td>
</tr>
<tr>
<td>7. Delicate ni Love・Me・Please</td>
<td>Akihiko Matsumoto</td>
<td>1:33</td>
</tr>
<tr>
<td>8. Shirigeya no Theme</td>
<td>Shirige Tai</td>
<td>1:33</td>
</tr>
<tr>
<td>9. Ichiban Boushi (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>1:58</td>
</tr>
<tr>
<td>10. I Beleive You Forever (Karaoke version)</td>
<td>Satoru Kousaki</td>
<td>1:45</td>
</tr>
<tr>
<td>11. Kimi to Run Away (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>1:45</td>
</tr>
<tr>
<td>12. Amore Seishun (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>2:45</td>
</tr>
<tr>
<td>13. Hello Daizu no Uta (Karaoke Version)</td>
<td>Eri Takenashi</td>
<td>0:36</td>
</tr>
<tr>
<td>14. Jun♥Ai (Pure Love) Generation (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>1:10</td>
</tr>
<tr>
<td>15. Delicate ni Love・Me・Please (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>1:33</td>
</tr>
<tr>
<td>16. Shirigeya no Theme (Karaoke Version)</td>
<td>Satoru Kousaki</td>
<td>1:37</td>
</tr>
<tr>
<td>17. Kimi to Run Away (Jitaku de Hitori Zesshou Version)</td>
<td>Tetsuya Kakihara</td>
<td>1:42</td>
</tr>
</tbody>
</table>
<p><strong>Review:</strong> It&#8217;s no understatement to declare that Fall 2008&#8242;s most hilarious moments were heavily concentrated in the tenth episode of <em>Kannagi</em>.  As you may recall, Nagi, Jin, the rest of the art club, Tsugumi, and Zange try to strengthen their friendship bonds by spending time at a karaoke box.  By this time, the series has already set up the romantic polygons and the viewer is expected to be familiar with each character&#8217;s personality traits for this episode&#8217;s humor to shine.  As such, half of the fun comes from watching these characters&#8217; personalities bounce off of one another and the other half comes from hearing the characters struggle through having to sing karaoke (Takako&#8217;s the exception here).</p>
<p>So after over 3 months of waiting, we&#8217;re finally treated to the compilation CD of the karaoke episode.  Here, the quality of the music is a bit higher than what we got from the episode itself and oddly enough, I see that as negative since flaws like Tsugumi&#8217;s shy delivery and Zange&#8217;s oblivious off-tune belting are part of what makes the karaoke attempt feel genuine and charming.  Add to that the fact that the humor isn&#8217;t quite as strong without the accompanying character interactions and you&#8217;ve got an album that is only worth listening to if you&#8217;re either looking to experience a cleaned up karaoke episode or if you want to be able to enjoy listening to <em>Kannagi&#8217;s</em> VA&#8217;s performances.</p>
<p>The album starts out with a fairly generic, but enjoyable J-pop song titled &#8220;Ichiban Boushi&#8221; that is performed by Tsugumi&#8217;s VA, Miyuki Sawashiro.  As I hinted above, this performance is far more polished than the one in the episode because Sawashiro&#8217;s delivery is devoid of Tsugumi&#8217;s shyness and mistakes that made the performance endearing in the first place. The same can be said for Jin&#8217;s song, &#8220;Amore Seishun&#8221; in that while it is unrefined and does go off tune a few times, his VA&#8217;s rendition on this CD is far too confident.  I would have liked to hear all of the mistakes, including Jin stumbling a few times and shyly lowering his volume when the attendant comes in, to capture the genuine karaoke experience and his low-key personality.</p>
<p style="text-align: center;"><strong>Ichiban Boushi:</strong><br />
[Audio clip: view full post to listen]</p>
<p>If you recall watching that episode, Daitetsu, voiced by Takanori Hoshino, completely blows &#8220;I Believe You Forever&#8221; out of the water.  Part of what makes his performance so compelling is in the way Hoshino&#8217;s voice comes out.  The timbre is extremely warm, which makes for a good match with the song&#8217;s subject because his delivery is so comforting and confident.  That Hoshino can switch tones from a friendly, oafish character to a wonderful pop singer was unexpected and I&#8217;d love to hear more of his work if they exist.</p>
<p style="text-align: center;"><strong>I Believe You Forever:</strong><br />
[Audio clip: view full post to listen]</p>
<p>After that, we come to Akiba&#8217;s song, and there&#8217;s really not much to say here other than the fact that he goes into full otaku mode by singing with a lot of passion, but not much else.  Likewise, Zange&#8217;s performance on &#8220;Delicate ni Love・Me・Please&#8221; is fairly mundane once you remove all of her flourishes and mistakes as well as her personality because this song lacks her forceful attitude in trying to get Jin to come over to her side.</p>
<p>The character-based humor comes in through Nagi&#8217;s and Takako&#8217;s performances.  Nagi&#8217;s 30-second ditty, &#8220;Hello Daizu no Uta,&#8221; is hilarious because the way Haruka Tomatsu sings feels like she&#8217;s having fun with the song in spite of its campiness. The segments where she stresses the &#8220;Mame kue, mame!&#8221; and &#8220;Souzetsu na&#8230;iroke&#8221; in a melodramatic fashion highlights the humor and absurdity of the whole karaoke experience rather well.  Takako&#8217;s song is one that will make you laugh uncontrollably or give you nightmares depending on your initial reaction to her performance since her antics were absolutely unforgettable. &#8220;Jun♥Ai (Pure Love) Generation&#8221; parodies the generic magical girl anime themes with its sugary sweet melody and lyrics, but to reap the full benefit of this track, you need to remember that Takako is a high school senior and she doesn&#8217;t hold back in complementing that song with cutesy facial expressions and exaggerated poses all of it done disturbingly well.  Those moves are fitting for a magical girl in say&#8230; elementary school, but to see them performed by a high school senior leads to a sort of horror where one has no choice but to laugh at the absurdity.  Needless to say, I loved it!</p>
<p style="text-align: center;"><strong>Hello Daizu no Uta:</strong><br />
[Audio clip: view full post to listen]</p>
<p style="text-align: center;"><strong>Jun♥Ai (Pure Love) Generation:</strong><br />
[Audio clip: view full post to listen]</p>
<p>After going through all of the characters, we finally reach the famed &#8220;Shirigeya no Theme&#8221; which is funny on its own because it provides a humorous take on the Japanese company structure which does everything from getting its employees to partake in morning exercises to teaching them a rousing company anthem to instill them with company spirit.  It&#8217;s a strange concept for this Western viewer, which adds to the novelty factor since the the Shirige Tai are pretty enthusiastic about their supermarket chain to the point that it tickles my funny bone.  The way the chorus section effusively sings the chorus part of the song combined with the marching band background music makes this song an uplifting, if hilarious way, to finish out the album.</p>
<p style="text-align: center;"><strong>Shirigeya no Theme:</strong><br />
[Audio clip: view full post to listen]</p>
<p>At the end of the day, this album isn&#8217;t really about listening to quality music as much as it&#8217;s about the levity borne from listening to the characters suffer through having to karaoke and picturing in your mind how the characters look while singing.  As I mentioned, though the tracks are more polished than the raw karaoke version, the singing isn&#8217;t exactly stellar, but then again, issuing a high quality album of a karaoke episode isn&#8217;t the point here.  So as you listen to this album, it&#8217;s obvious that this album caters to fans of the show.  Still, those who enjoyed the episode&#8217;s silliness are better off just watching it because the music alone doesn&#8217;t carry the same comedic weight without the character interactions.  Getting this album is an entirely optional affair though since the TV episode will give you a much more enjoyable experience overall.</p>
<p><strong>Rating:</strong> So-so</p>
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		</item>
		<item>
		<title>Top 5 Favorite OP/ED Themes &#8211; Fall 2008</title>
		<link>http://blog.animeinstrumentality.net/2009/01/top-5-oped-themes-fall-2008/</link>
		<comments>http://blog.animeinstrumentality.net/2009/01/top-5-oped-themes-fall-2008/#comments</comments>
		<pubDate>Fri, 02 Jan 2009 01:48:19 +0000</pubDate>
		<dc:creator>zzeroparticle</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Clannad]]></category>
		<category><![CDATA[Ga-Rei Zero]]></category>
		<category><![CDATA[Kannagi]]></category>
		<category><![CDATA[Michiko and Hatchin]]></category>
		<category><![CDATA[Nodame Cantabile]]></category>
		<category><![CDATA[OP/ED]]></category>
		<category><![CDATA[Quarterly]]></category>
		<category><![CDATA[Top 5 list]]></category>
		<category><![CDATA[Toradora!]]></category>
		<category><![CDATA[Tytania]]></category>

		<guid isPermaLink="false">http://blog.animeinstrumentality.net/?p=358</guid>
		<description><![CDATA[As the year draws to a close, now&#8217;s a good time to bring out my list of OP/EDs that I found to be remarkable for the Fall Season. Yes, I&#8217;m aware that it&#8217;s probably more fitting to generate a list for the entire year, but if I&#8217;d done that, my list would be about as [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://blog.animeinstrumentality.net/wp-content/uploads/2009/01/5fall08opeds.jpg"><img src="http://blog.animeinstrumentality.net/wp-content/uploads/2009/01/5fall08opeds.jpg" alt="" title="5 Fall 2008 OP/EDs" width="600" height="236" class="aligncenter size-full wp-image-372" /></a></p>
<p>As the year draws to a close, now&#8217;s a good time to bring out my list of OP/EDs that I found to be remarkable for the Fall Season.  Yes, I&#8217;m aware that it&#8217;s probably more fitting to generate a list for the entire year, but if I&#8217;d done that, my list would be about as long as <a href="http://bignanime.wordpress.com/2008/12/28/impressions-on-a-year-2008-awesome-opseds/">this one</a> with pretty similar picks.  Furthermore, I think it&#8217;d just be better to make this a recurring event after the end of each anime season to make my life easier and spread out the writing over four quarters rather than one big megapost at the end of each year.</p>
<p>With that said, one should keep in mind that I haven&#8217;t watched or heard all of the OP/EDs that have come out during the Fall.  There&#8217;s far too much anime for me to keep track of and I find that it&#8217;s really hard to be able to find the time to listen to it all, so there will be a few gems that I&#8217;ve missed out on.  That&#8217;s what the comment box is for: for you guys to bring them to my attention.</p>
<p>Finally, a quick perusal over my list this quarter reveals that all of them are OPs!  I&#8217;m sure this is no coincidence because OPs generally have a catchy melody since its goal is to make the viewer interested in the show and hold the viewer&#8217;s attention long enough to want to watch the introduction before diving into the meaty parts of the show.  As such, their tendency to grab at my attention gives them a slight edge over the EDs, few of which really stood out as being all too remarkable.  So with that said, let&#8217;s take a look at the list:<span id="more-358"></span></p>
<p><strong>#1. <a href="http://blog.animeinstrumentality.net/2008/11/18/clannad-after-story-oped-single-toki-wo-kizamu-uta-torch-review/">Clannad ~After Story~ &#8211; Toki wo Kizamu no Uta</a></strong></p>
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<p>Anyone who&#8217;s followed my review of this song should pretty much know why this is my number one pick but regardless, I&#8217;ll say it again here.  This song has an emotional rawness to it that really is heartbreaking, bringing with it a depressing feeling that becomes even more apparent once you understand the lyrics.  Lia delivers her best effort since Tori no Uta and her ability to convey the sad feelings is absolutely stellar, making &#8220;A Song Engraved in Time&#8221; touching and beautiful.  It&#8217;s not often that a song is able to have such a strong emotional impact upon me, but this song manages to do just that and when combined with the plot to Clannad ~After Story~ makes the song a perfect fit with the series.</p>
<p><strong>#2. <a href="http://blog.animeinstrumentality.net/2008/12/29/nodame-cantabile-paris-chapter-op-single-sky-high-review/">Nodame Cantabile ~Paris Chapter~ &#8211; Sky High</a></strong></p>
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<p>The third movement of Rachmaninoff&#8217;s &#8220;Piano Concerto No. 2 in C minor, Op. 18&#8243; provides the foundation for &#8220;Sky High,&#8221; and that&#8217;s pretty much all it took for me to really enjoy this song.  The atmosphere of the song, pushed along by the singers and the background instruments, does an excellent job of evoking the feel of a big city in which Nodame Cantabile ~Paris Chapter~ takes place and in this regard, it creates the similar effect brought about by Gershwin&#8217;s &#8220;Rhapsody in Blue&#8221; (though the latter&#8217;s inclusion in Fantasia 2000 might have helped there).  Overall, &#8220;Sky High&#8221; is just slightly more refined while possessing the sense of euphoria and fun that characterized &#8220;Allegro Cantabile,&#8221; making this song a very enjoyable OP that brings out the characters&#8217; growth since the first season.</p>
<p><strong>#3. <a href="http://blog.animeinstrumentality.net/2008/12/19/tytania-op-single-ano-sora-wo-ike-review/">Tytania &#8211; Ano Sora wo, Ike</a></strong></p>
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<p>I&#8217;ve acknowledged a penchant for pompous, operatic themes and &#8220;Ano Sora wo, Ike&#8221; certainly delivers the goods here in addition to conveying the scope of Tytania&#8217;s war-ridden plot.  Ken Nishikiori’s voice is perfect for putting the immensity of the struggle to music and though there are times where he falters ever so slightly, you can&#8217;t deny that there&#8217;s this grandiose sense of majesty in it before this song closes out with a rousing finish that doesn&#8217;t try to hide its pomposity and overblown orchestral flair.  Awe-inspiring and epic (at least to me anyways), &#8220;Ano Sora wo, Ike&#8221; brings out the heroic aspects of Tytania&#8217;s central conflict in all its full-blown glory.</p>
<p><strong>#4. Michiko and Hatchin &#8211; Paraiso</strong></p>
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<p>The only piece I haven&#8217;t formally reviewed yet (I don&#8217;t think the single has been released), Michiko and Hatchin&#8217;s OP, &#8220;Paraiso,&#8221; packs an energy-filled, jazzy melody with (as someone corrected me) a Latin American flavor.  Jazz is not one of the wider genres used in anime openings, but I find that when it is used, it&#8217;s done so to great effect by bringing forth the chaotic nature of the series as well as its sense of style (especially with Baccano!.  &#8220;Tank!&#8221; is a bit more structured, which is befitting of Cowboy Bebop).  Similarly, &#8220;Paraiso&#8221; serves as an excellent representation of the whacky nature of the relationship between Michiko and Hana and the situations that the two often get themselves into.  Its frenetic pacing and its catchy melody complements the animation style, which seamlessly blends Western animation with its Japanese counterpart to create a unique feel.</p>
<p><strong>#5. <a href="http://blog.animeinstrumentality.net/2008/12/05/ga-rei-zero-op-single-paradise-lost-review/">Ga-Rei Zero &#8211; Paradise Lost</a></strong></p>
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<p>Someone who&#8217;s read my blog fairly recently told me that my review of Paradise Lost felt more like a play by play of the song rather than an actual, opinion-saturated review and after rereading the review, that criticism is spot-on, so this is where I make amends for my lack of opinions.  The two aspects that really drew me to this song are the melody, which grabbed at my attention because it is really catchy, and its pacing, which effectively propels you into the piece through its sheer intensity and energy.  That I can summarize the essence of what makes this song appealing in so few words is indicative of how much depth this song has.  Nevertheless, the side of me that still finds joy in catchy themes refuses to go away and Minori Chihara&#8217;s ability to convey the sense of anger over the loss only makes the song more enjoyable.</p>
<p><strong>Honorable Mentions:</strong></p>
<p>And interestingly enough, the two that I thought were worthy of honorable mentions are both EDs.  I don&#8217;t think I can offer up an explanation for why it turned out the way it did, but that&#8217;s the way it goes sometimes.</p>
<p><em>Toradora! &#8211; Vanilla Salt</em></p>
<p>No, I didn&#8217;t pick this because it makes some people feel <a href="http://behind-the.nihonreview.com/20081207/songs-to-make-you-feel-like-youre-always-super-special/">super special</a>, but like the post I linked, there&#8217;s just something about this song that&#8217;s enjoyable, especially when it&#8217;s viewed within the context of the series.  Maybe I&#8217;m just enamored with the wordplay with &#8220;vanilla&#8221; and &#8220;burning love&#8221; or I find the sugary sweet nature of the song to be overwhelming.  It just might even be the fact that I&#8217;m drawn to Horie Yui&#8217;s voice, which rarely fails to please my ears.  On its own, I&#8217;m not sure how well it&#8217;ll fare, but with the ED sequence it tow, it&#8217;s worth both watching and listening.</p>
<p><em>Kannagi &#8211; Musuhi no Toki</em></p>
<p>&#8220;Musuhi no Toki&#8221; is a good departure from many OP/EDs which veer towards the bombastic side, allowing this song to differentiate itself by bringing out the other side of Kannagi that we don&#8217;t see until the very end.  This song&#8217;s mood is one of quiet contemplation and solace which contrasts well with the OP sequence that showcases Kannagi&#8217;s far more energetic side.  &#8220;Musuhi no Toki&#8217;s&#8221; mellowness might not be everyone&#8217;s cup of tea, but it certainly resonated with me, especially towards the last three episodes of the series.</p>
<p>Expect to see a post that lists out my top 5 soundtracks for the entire year in the near future.</p>
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		<title>Kannagi OP Single &#8211; motto☆Hade ni ne! &#8211; Review</title>
		<link>http://blog.animeinstrumentality.net/2008/10/kannagi-op-single-motto%e2%98%86hade-ni-ne-review/</link>
		<comments>http://blog.animeinstrumentality.net/2008/10/kannagi-op-single-motto%e2%98%86hade-ni-ne-review/#comments</comments>
		<pubDate>Thu, 30 Oct 2008 08:03:28 +0000</pubDate>
		<dc:creator>zzeroparticle</dc:creator>
				<category><![CDATA[Soundtrack Reviews]]></category>
		<category><![CDATA[Haruka Tomatsu]]></category>
		<category><![CDATA[Kannagi]]></category>
		<category><![CDATA[OP/ED]]></category>

		<guid isPermaLink="false">http://blog.animeinstrumentality.net/?p=263</guid>
		<description><![CDATA[Album Title: motto☆Hade ni ne! Anime Title: Kannagi Artist: Haruka Tomatsu Catalog Number: SMCL-158 Release Type: OP/ED Single Release Date: Oct 29, 2008 Track Title Artist Time 1. motto☆Hade ni ne! Haruka Tomatsu 4:40 2. Shiawase Sagashi Haruka Tomatsu 4:00 3. motto☆Hade ni ne! (TV EDIT) Haruka Tomatsu 1:33 4. motto☆Hade ni ne! (instrumental) 4:39 [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://blog.animeinstrumentality.net/wp-content/uploads/2008/10/smcl-158_03.jpg"><img src="http://blog.animeinstrumentality.net/wp-content/uploads/2008/10/smcl-158_03.jpg" alt="" title="Kannagi OP Cover" width="400" height="361" class="alignnone size-full wp-image-264" /></a></p>
<table id="AMGtable" class="sortable" border="1" width="600" align="center">
<tbody>
<tr>
<th><strong>Album Title:</strong></th>
<td>motto☆Hade ni ne!</td>
</tr>
<tr>
<th><strong>Anime Title:</strong></th>
<td>Kannagi</td>
</tr>
<tr>
<th><strong>Artist:</strong></th>
<td>Haruka Tomatsu</td>
</tr>
<tr>
<th><strong>Catalog Number:</strong></th>
<td>SMCL-158</td>
</tr>
<tr>
<th><strong>Release Type:</strong></th>
<td>OP/ED Single</td>
</tr>
<tr>
<th><strong>Release Date:</strong></th>
<td>Oct 29, 2008</td>
</tr>
</tbody>
</table>
<p><span id="more-263"></span></p>
<table id="AMGtable" class="sortable" border="1" width="600" align="center">
<tbody>
<tr>
<th>Track Title</th>
<th>Artist</th>
<th>Time</th>
</tr>
<tr>
<td>1. motto☆Hade ni ne!</td>
<td>Haruka Tomatsu</td>
<td>4:40</td>
</tr>
<tr>
<td>2. Shiawase Sagashi</td>
<td>Haruka Tomatsu</td>
<td>4:00</td>
</tr>
<tr>
<td>3. motto☆Hade ni ne! (TV EDIT)</td>
<td>Haruka Tomatsu</td>
<td>1:33</td>
</tr>
<tr>
<td>4. motto☆Hade ni ne! (instrumental)</td>
<td></td>
<td>4:39</td>
</tr>
</tbody>
</table>
<p><strong>Review:</strong> Sometimes, it&#8217;s difficult to separate the music from the animation because there are always instances in which the animation enhances the listening experience, making an otherwise generic track come off as being enjoyable.  I&#8217;d argue that this is what happens in Kannagi&#8217;s OP&#8217;s case.  &#8220;Motto☆Hade ni ne!&#8221; doesn&#8217;t have the musical qualities that is required to stand out and get me to take notice, but by playing it in conjunction with a vibrantly animated dancing sequence (the fad these days amongst Japanese studios it seems), the song becomes very enjoyable.  Granted, the fantastic animation doesn&#8217;t mean that the music&#8217;s flaws will magically go away, but it does serve to make the song far more bearable than it had been before.</p>
<p>Labeling &#8220;motto☆Hade ni ne!&#8221; as &#8220;generic&#8221; is probably not wrong, but it doesn&#8217;t mean that it&#8217;s relegated to the crap pile because this song is fairly enjoyable.  There&#8217;s just something about Haruka Tomatsu&#8217;s voice that manages to convey the song&#8217;s energy and sense of fun.  From the start, you get have an energetic, upbeat melody that shifts over to a gentler melody around the 3-minute mark that feels somewhat airy before going back to the main theme.  It&#8217;s certainly not a complex structure, but it&#8217;s enjoyable all the same.  The little things, like Haruka Tomatsu&#8217;s emphasis and tone in certain sections, work rather well, especially because it brings Nagi to life.  While there&#8217;s no doubt that this song is a bit better than your plain vanilla J-pop song, it&#8217;s hard to suppress a smile if you keep the animated sequence in mind as well as Nagi&#8217;s hilarious personality while listening to this song.</p>
<p>&#8220;Shiawase Sagashi&#8221; also falls under the &#8220;generic&#8221; category, albeit when compared to more laid-back J-pop melodies.  This song is particularly hard to evaluate simply because there isn&#8217;t much to go on.  The melody goes from being whimsical at times to taking a tone that feels free, as though Haruka Tomatsu was celebrating life, all while retaining an upbeat mood.  The problem comes from its lack of ambition because it doesn&#8217;t do anything to stand apart from some of the better J-pop songs out there.  However, it does succeed at not being boring and with that in mind, I suppose I can&#8217;t complain too much.</p>
<p>The sparse amount of criticisms that can be leveled at either track is rather telling simply because none of these songs do anything to spark a dialog.  Both tracks stick to tried and true formulas that are neither inspiring or ambitious, but thankfully, they are also neither boring nor insipid.  While the lack of creativity is usually enough for me to pan an album, I find it difficult to do so in this instance because both tracks manage to provide a pleasant experience.  The animated sequence as well as Nagi&#8217;s personality come to mind while I&#8217;m listening to both songs and though they should not be a factor when it comes to judging the musicality of the songs, I just can&#8217;t help it because having that sort of knowledge makes the songs more enjoyable.  So keep that in mind as you listen to the songs; they might not be great, but they sure are fun to listen to.</p>
<p><strong>Rating:</strong> Decent</p>
<p style="text-align: center;"><strong>Opening &#8211; motto☆Hade ni ne!</strong><br />
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