Though I prefer not to do meta posts, indulge me for a moment as I reflect over the the writing process. Specifically to dispel one illusion that I had prior to starting Anime Instrumentality: the difficulty inherent in writing.
When I say difficulty, I really do mean it. If there’s one thing that I’ve learned writing all these music reviews, it’s that the writing process never gets easier with time; you’d think it would with 2+ years under my belt. I don’t know how some of my peers in the anime blogosphere deal with it, but I’m always in awe at the folks who can turn out a post every day and still have them be insightful and enjoyable reads. I’m not one of those people, unfortunately, and so, continue to struggle. It’s a long process, though not an unpleasant one (otherwise I wouldn’t be doing it!), but I do encounter those rough patches from time to time. Continue reading
UPDATE: We finally have a review up of the Makoto Shinkai Promise album.
For people who have not read this post, the Eminence Symphony Orchestra, based out in Sydney, Australia, will be releasing a 13-track disc this December containing arrangements of Tenmon’s musical compositions in honor of Makoto Shinkai and his 10 years of work as an anime director, animator, and scriptwriter. Until recently, we’ve only had a glimpse of what this disc was capable of delivering through the tracklist; what we didn’t have was a solid idea of what what to should expect out of these arrangements. But now that my Eminence contact has disclosed the names of the arrangers, fans of Tenmon and Makoto Shinkai can rejoice! With people like Shiro Hamaguchi, Akifumi Tada, and Yasunori Iwasaki at the helm, the arrangements should turn out to be awesome! Continue reading
UPDATE: We finally have a review up of the Makoto Shinkai Promise album. Do enjoy the thoughts and opinions in that review!
It’s kind of funny actually. I had already been aware that the Eminence Symphony Orchestra was working on something called Project Promise because I had seen the name come up on Hiroaki Yura’s signature on Eminence’s forums. What I didn’t know was whether it would focus on anime or game music, so when I saw nyoronyolo link to Xcomp Randomness’s post on this latest Eminence project which celebrates 10 years of Makoto Shinkai’s collaboration with Tenmon through an orchestral arrangement of some of the most memorable pieces from Shinkai’s works, I was pretty excited.
The tracklist is already posted on the Xcomp Randomness site and the music covers Tenmon’s stuff from Shinkai’s 5 Centimeters Per Second, Beyond the Clouds: The Place Promised in Our Early Days, and even the short She and Her Cat. Of those works, I’m probably most familiar with 5 Centimeters Per Second, so over the next few days, I’ll be making some time to reacquaint myself with some of those other works, mostly to ponder how exactly the tracks from those works will be arranged. It should be delightful though since Tenmon does have the ability to write simple, but wonderful tracks like in 5 Centimeter’s “Sora to Umi no Shi.”
Sora to Umi no Shi
Anyhow, people will inevitably have questions about Project Promise and I’ll do my best to see if anyone over at Eminence will divulge more information about this. Omo has come up with a few good ones already and if anyone else has any questions they’d like me to ask, just put them here and I’ll forward the questions on. No guarantees on the replies, but it’s worth a shot anyhow.
You may have noticed that as of yesterday, Anime Instrumentality has a new contributor in Jen, who has started things off with an excellent review of Pandora Hearts Original Soundtrack 1. She’s been very enthusiastic about anime music in general and I’m glad to have someone with her passion on board, so join me in giving her a warm welcome to the review staff!