Back when I responded to Justin’s team blogging article, one of the things that surprised me the most as I thought over his questions was Anime Instrumentality’s slow transformation into a team blog. There never was a grand, overarching plan that I had envisioned for getting a group of writers to wax fondly over anime music; it just sort of happened serendipitously. The recruiting process is nearly nonexistent in that we’ve only had one staff contest. Most everyone else have come through informal channels, usually by sending me an e-mail, instant message, or talking to me through Twitter and indicating interest. It doesn’t get any more informal than that. I’m happy with how it’s currently working out and don’t plan to change it anytime soon.
Now, the one part that I partly addressed in my response to Justin is that having more people on staff brings about a diversity of opinions, backgrounds, and experiences that keep the content fresh. We all have our views on music and getting to read and understand different writers’ perspectives helps make the listening experience more enriching and engaging. It’s rare that I read something someone else wrote and not come out of it feeling more enlightened than before.
On top of the diversity of content and viewpoints, each writer also brings in a unique style, be it a quirky turn of phrase, descriptive tendencies, or a certain rhythm and tempo in their writing. And I’ve wondered for the longest time whether each writer on Anime Instrumentality has their own unique voice, a signature that sets them apart from the others that readers can readily pick up on and identify.
Here’s where you readers come in. [Read more...]