After much delay since we did our broadcast of the People’s Choice Top 20 Anime Composers Awards, here’s the post in text form with all of the bells and whistles and the music clips that we weren’t able to host on Youtube.
So if you remember, back in November, we put a poll together asking for your top 10 anime composers of all time. You all voted, we were able to pull in over 100 votes, and here’s how the rankings tallied out.
So in this edition of the Anime Instrumentality Live Show, our writers got together to talk about your favorite anime composers, figuring out why you liked who you liked. The commentary did get a bit carried away at times, but me, Yu, and Pointblanket went through to discuss the list in brief detail. You can check out the live show below. Do note that I did make a mistake: Tatsuya Katou did not score Rinne no Lagrange. I was thinking of Horizon in the Middle of Nowhere. 😛
If you just want to see the results panned out, here are the People’s picks along with some anime soundtracks and tracks that we think are representative of the composer:
|20 (tie)||Shinji Orito|
Composer blurb by last name:
Yuuki Hayashi – A fairly new composer. Also pretty young, so the soundtracks that he has under his belt is already pretty impressive. His earliest work was for Robotic;Notes which featured some inspiring melodies, and he’s only grown stronger, especially with the stuff he’s written for Death Parade.
Death Parade – Moonlit Night
Yoshihisa Hirano – We’ve talked about him in the previous post when we went over our Top 10s. His orchestral soundtracks really stand out strongly and his classical music background really shines in his soundtrack to Ouran High School Host Club.
Ouran High School Host Club – Sinfonietta C-dur
Susumu Hirasawa – Known for his weird-sounding soundtracks that combines many diverse genres ranging from electronica to experimental and progressive rock where he throws psychedelic melodies wildly, making it a wonder to behold. His work in conjunction with Satoshi Kon’s movies are where he’s made his mark in the anime realm. Well-known for his music to Paprika and Berserk.
Paprika – The Girl in Byakkoya – White Tiger Field
Joe Hisaishi – He’s the one behind many a Miyazaki film soundtrack. Works too numerous to mention, but highlights include Nausicaa, Princess Mononoke, Spirited Away, and Howl’s Moving Castle. Here’s something from Kiki’s Delivery Service.
Kiki’s Delivery Service – Helping At The Bakery
Taku Iwasaki – Solid through and through and people are still discovering how awesome he is as a composer. Probably best known for some pretty epic soundtracks, particularly those for Gurren Lagaan, Gatchaman Crowds, and the Rurouni Kenshin OVAs.
Kenshin Seisouhen – The Duel in the Name of Love
Yuki Kajiura – An icon in the realm of anime music who got on people’s radar with the soundtrack for Noir. Her compositions for anime like Madoka Magica, Kara no Kyoukai, and Sword Art Online. We’ll put in something from Tsubasa Reservoir Chronicle since that’s always been looked upon highly.
Tsubasa Reservoir Chronicle – a song of storm and fire
Yoko Kanno – Most people know her for her works on Cowboy Bebop, but she’s done some fine work with orchestral scores to anime like Escaflowne and electronica in Ghost in the Shell as well as beautiful stuff for Macross. A versatile composer who can also whip up excellent pop music, again, evidenced in the stuff she does for Macross.
Turn a Gundam – Final Shore
Tatsuya Katou – May have had an unfavorable start, but has since grown into his role as a composer, doing a serviceable job in capturing the heat of the swimming competitions, particularly in Free. Don’t count him out in Shougeki no Soma either!
Shougeki no Soma – Meat Sonata
Kenji Kawai – Very much a notable composer who’s made his mark since the early days with the original Ghost in the Shell movie but also works like Maison Ikkoku and Fate/Stay Night. I like his more recent work on Barakamon.
Barakamon – Shima no Kodomo Naru
Satoru Kousaki – His minimalistic works are a very good match with the shows that he composes music for, particularly his work on Star Driver and Bakemonogatari. However, don’t count him out for pop music since he’s very adept in that genre, writing “Hare Hare Yuukai” for the Haruhi series.
Bakemonogatari – jinchiku
Jun Maeda – His music, like his writing, tend to be simple but touching. And genuine. That trait has served him well working at Key Visual Arts where he’s written the stories and composed music for Air, Kanon, and Clannad and threw some stuff into Angel Beats for good measure. Just don’t listen to his stuff for Girls Dead Monster from Angel Beats.
CLANNAD – Nagisa
Nujabes – Knows his way around R&B, hip hop, and jazz though his work was cut short by his untimely death 5 years ago. A shame since his best known work in the anime realm is the excellent soundtrack to Samurai Champloo.
Samurai Champloo – transcendence
Shinji Orito – Alongside composer Jun Maeda, the two have composed quite a few pieces for Key Visual Arts. While Maeda is more of the melodic person, Orito does well in sculpting the atmosphere through his music, especially in Kanon.
Kanon – Yakusoku
Michiru Oshima – A veritable giant, even if not as well-known as some of the big-name composers. She does orchestral and melancholy and does it well, most notably in Fullmetal Alchemist. But don’t forget: she’s also done some amazing violin and piano music for Zetsuen no Tempest, Tatami Galaxy, and even Little Witch Academia! We’ll feature another solid vocal piece in Sora no Woto.
Sora no Woto – Une lumiere envoutante
Shiro Sagisu – Is very much notable for his works in conjunction with Gainax. You know, stuff like Neon Genesis Evangelion? Some of his later works branch out into stuff that’s fairly epic and he delivers that pretty strongly in his music to the Berserk films.
Evangelion – Angel Attack
Toshihiko Sahashi – A solid orchestral composer, one whose melodies fit the mood for whatever show he scores. He’s got solid music for Gundam SEED and Full Metal Panic but his best work is in the memorable Simoun score, one that warrants some very high praise.
Simoun – Josei Kokka Dai Yon Gakushou – Josei Kokka Kakuritsu
Shigeharu Sasago – His relaxing fare with the Choro Club features well for shows like ARIA the Animation (the franchise really) and the relaxing Yokohama Kidaishi Kikou ~Quiet Country Cafe~. But this composer has also worked with the band ko-ko-ya, whose equally relaxing fare surfaces in Ristorante Paradiso and Croisee in the Labyrinth.
ARIA the Animation – AQUA
Hiroyuki Sawano – Big, bold, and maybe over-the-top, but there’s no denying the power his music brings to the anime he’s featured on. You’ll know him for his titanic work on Attack on Titan, but his earlier works are worth a look, especially Gigantic Formula.
Gigantic Formula – MAIN THEME (ver. 0)
Yasuharu Takanashi – An eclectic composer who does really well in capturing the mood of the anime, whether it’s the badass Celtic themes in Fairy Tail or the darker horror themes in Shiki and Hell Girl.
Shiki – Epitaph
Tenmon – His work with Makoto Shinkai is very well-known, given the music he’s written for 5 cm/sec remains one of his most exquisite soundtracks. Limiting yourself to just the Shinkai collaborations would mean missing out on his music for ef, music which is equally solid.
ef – a tale of melodies – A Moon Filled Sky
Makoto Yoshimori – The Mr. Weird of anime music since his tendencies to add weird noises and sounds to his soundtracks can be off-putting. But look past that and you’ll find some very heartwarming melodies for the heartwarming Natsume Yuujinchou. His music for Kuragehime and Durarara are noteworthy too.
Kuragehime – Yugatairo no omoide ni
We’ll probably do a followup post for people who like stats. Mostly because I’m someone who’s into that sort of thing.