Clannad Original Soundtrack – Review

Clannad OST Cover

Album Title: Clannad Original Soundtrack
Anime Title: Clannad
Artist: Magome Togoshi; Jun Maeda; Shinji Orito; riya; Lia; kiku
Catalog Number: KSLA-0012~0014
Release Type: Soundtrack
Release Date: August 13, 2004
Purchase at: Play-Asia

Disc 1

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Track Title Artist Time
1. Ushio Magome Togoshi 1:08
2. Illusions Magome Togoshi 3:22
3. Mag Mell riya; kiku 4:52
4. Town, Flow of Time, People Shinji Orito 4:28
5. Nagisa Jun Maeda 4:10
6. Like the Wind Shinji Orito 4:02
7. Étude pour les petites supercordes Magome Togoshi 4:50
8. Hurry, Starfish Magome Togoshi 4:18
9. Her Determination Magome Togoshi 4:06
10. Tea in the Reference Room Shinji Orito 3:58
11. Spring Wind Shinji Orito 3:32
12. Country Lane Magome Togoshi 3:16
13. Meaningful Ways to Pass the Time Magome Togoshi 3:20
14. Everyday Leisure Shinji Orito 1:51
15. Dumb Shinji Orito 4:56
16. A Couple of Idiots Shinji Orito 2:28
17. Return to Ashes Shinji Orito 3:40
18. Existence Magome Togoshi 2:25
19. Phases of the Moon Shinji Orito 3:52
20. Empty Space Shinji Orito 3:52

Disc 2

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Track Title Artist Time
1. Snowfield Shinji Orito 5:11
2. Roaring Tides Shinji Orito 2:38
3. Roaring Tides II Shinji Orito 4:15
4. TOE Magome Togoshi 2:44
5. To the Same Heights Jun Maeda 1:59
6. The Place Where Wishes Come True Jun Maeda 2:49
7. Shining in the Sky Magome Togoshi 5:08
8. -Two Shadows- Magome Togoshi 5:37
9. White Clovers Shinji Orito 3:44
10. Distant Years -piano- Jun Maeda 1:26
11. Summertime Magome Togoshi 1:56
12. Distant Years Jun Maeda 2:44
13. Country Train Jun Maeda 4:34
14. The Place Where Wishes Come True II Jun Maeda 4:08
15. Ana Lia 5:46
16. Nagisa ~ Farewell At the Foot of a Hill Jun Maeda 5:54
17. Tiny Palm Jun Maeda; riya 4:44

Disc 3

Show »

Track Title Artist Time
1. Illusions II Magome Togoshi 1:54
2. Spring Wind -afternoon- Shinji Orito 3:33
3. Spring Wind -tempo up- Shinji Orito 3:04
4. Spring Wind -piano- Shinji Orito 1:45
5. Meaningful Ways to Pass the Time -guitar- Magome Togoshi 3:21
6. Meaningful Ways to Pass the Time -sax- Magome Togoshi 3:22
7. Existence -e. piano- Magome Togoshi 2:24
8. Existence -piano- Magome Togoshi 2:27
9. Mag Mell -cockool mix- (full ver.) riya; kiku 4:27
10. Mag Mell (short ver.) riya; kiku 2:40
11. Mag Mell -cockool mix- (short ver.) riya; kiku 2:39
12. -Two Shadows- (short ver.) Magome Togoshi; riya 2:34
13. Ana (short ver.) Lia 5:25
14. Ana (full ver.) 8:24
15. Mag Mell (off vocal ver.) kiku 4:51
16. Tiny Palm (off vocal ver.) Jun Maeda 4:40
17. -Two Shadows- (off vocal ver.) Magome Togoshi 5:36
18. Unused Track 1 Shinji Orito 3:31
19. Unused Track 2 Magome Togoshi 2:21

Tracklist and miscellaneous album information provided by VGMdb.

Review: Watching the entirety of the Clannad anime (including the After Story) felt like completing a long journey that, looking back, yielded a mix of wonderful and bittersweet moments in the life of its two principal characters. Much of the show’s success is derived from seeing the personal and emotional growth that its protagonists, Tomoya Okazaki and Nagisa Furukawa, undergo as they fall in love and together, face the obstacles that fate has put in their path. Through it all, the series serves as a firm reminder that no matter what tragedies one may have to endure, the family will always provide that firm bedrock of support that one can celebrate along with in the best of times, but also rely upon in the worst of times.

And as we sit through Tomoya’s ups and downs, the music is always hovering just out of sight, but the impact it delivers when it needs to can transform a scene that’s merely sad into one that’s emotionally wrenching. The credit goes to Key’s Jun Maeda, Shinji Orito, and Magome Togoshi for delivering unto us a soundtrack that is absolutely beautiful in the way it captures the mood of the series and to Lia and riya, whose performances made this album truly shine as my favorite soundtrack to a Key/Kyoto Animation collaboration.

The question is where exactly one starts when addressing this soundtrack? There’s no doubt that the characters themes are particularly delightful. For example, Fuko’s theme, “Hurry, Starfish,” will elicit cheers and groans depending on one’s perception of her, but there’s no denying that the piece’s light-hearted aura gets her eccentric, capricious nature down pat through the piano introduction that depicts the appearance of a whimsical sprite. Kotomi’s theme, “Études pour les petites supercordes,” uses the violin in a rather bumbling manner which fits with her socially awkward tendencies, but it retains her good-hearted nature that is positively endearing.

Hurry, Starfish
[audio:108 Clannad.mp3]

Of all the character themes though, I consider Nagisa’s to be the most important because of the role she plays in Tomoya’s life and, by extension, in the anime. Her theme may be simplistic, but it illustrates her warm personality, her caring nature, and her determination to see things through to the end in spite of her health problems. This piece is one that I will return to a few times because it represents so many of Clannad’s themes, from the sense of hope that things will turn out for the best to the ensuing tragedies that come up along the way, but regardless of the ups and downs that the audience experiences, “Nagisa’s” beautiful melody reassures us that happiness lies in store at the end of it all.

[audio:105 Clannad.mp3]

After all, “Nagisa” makes its appearance after “Town, Flow of Time, People,” which is depressing as it illustrates the hopeless, despairing thoughts that have encumbered Tomoya’s mind through the piece’s grim aura that leads one to believe that the city’s atmosphere is slowly suffocating him with the painful memories he’s associated with it. But “Nagisa” comes in like a healing wind, and this transformation results in Tomoya’s prospects brightening up considerably, making way for tracks like “Spring Wind” and “Country Lane” which brings in an air of optimism into his day to day life and allow the listener to take in the relaxing aura and enjoy the brief moment of happiness that Tomoya experiences through his daily interactions before things take a turn for the worse.

Town, Flow of Time, People
[audio:104 Clannad.mp3]

Spring Wind
[audio:111 Clannad.mp3]

The point at which tragedy strikes is where the second disc takes over since most of the melancholy themes that one associates with Clannad’s downhearted moments are found here. For example, “Snowfield” exemplifies the same sort of hopelessness that “Town, Flow of Time, People” carries by hinting at the tragedies that are soon to come. What really struck me when listening to “Snowfield” was the sense of loneliness that emanates from this track. Not only does it hammer the feelings of despair, this suffering is something that Tomoya goes through alone as the person he cares for most is taken from him. This emotional turmoil is also evident in “Roaring Tides II” which moves at a slower, more deliberate tempo as though to illustrate the extent of the despair that has engulfed Tomoya, weakening him and making him especially vulnerable to what will happen next.

[audio:201 Clannad.mp3]

“Nagisa ~ Farewell at the Foot of a Hill” deals him the final blow, and by incorporating Nagisa’s theme into the piece, the audience too acutely feels his pain. While I have discussed the effect of this piece during the scene which depicts Nagisa’s passing, it bears repeating that what makes this piece so powerful lies within the context of the scene. When the music plays, it sparks one’s memories and one cannot help but remember all the times Tomoya and Nagisa spent together and how her death profoundly affects him. By using a synth as a backdrop towards the end of this piece, we are encouraged to reflect upon those happier times as her death finally sinks in and Tomoya’s life unravels from the shock and pain.

But amidst the melancholy and despair are some bright spots like “To the Same Heights” and “Shining in the Sky.” “To the Same Heights,” in particular, raises the specter of hope that things don’t have to be so bad as long as that familial foundation of support still exists. This bittersweet brew tastes more sweet than bitter and the message I got from this wonderful piano melody is that fate may deal one a terrible hand, but by maintaining one’s relationships, one can overcome those difficulties and soar on to a brighter tomorrow. That it’s used as the basis for “Toki wo Kizamu Uta” makes for an interesting comparison since my first impression of this piece had been an uplifting one rather than the mournful feel that I derived from the After Story opening.

To the Same Heights
[audio:205 Clannad.mp3]

“Shining in the Sky” is also mentioned as a bright spot. This track carries an aura of contentment as it brings its air of finality through the crescendo around 1:53. Through the music, one gets a feeling that the struggles had been a valuable lesson and the characters have learned to move past the tragic events to become stronger as a result. “Country Train” takes the feeling of optimism further by adding in a dose of resolve through its rhythm and tempo which allows one to not only hear the swift-moving train, but to also feel as though Tomoya has awakened from the pits of despair as he pours his heart into making amends (especially towards Ushio) and reconnect with the people he cherishes so much.

Shining in the Sky
[audio:207 Clannad.mp3]

Country Train
[audio:213 Clannad.mp3]

The best aspect of the second disc belongs to the three vocal pieces though. “-Two Shadows-” has a nostalgic feeling imparted through riya’s upbeat and emphatic delivery and “Ana” is also a beautiful track that utilizes Lia’s ability to express herself wonderfully. Although the lyrics which can be incoherent at times as it talks about a paradise that goes through cyclical changes, Lia’s soaring vocals carry a peaceful, almost ethereal aura which channel the song’s lofty sentiments.

-Two Shadows-
[audio:208 Clannad.mp3]

[audio:215 Clannad.mp3]

Of the three vocal songs, “Tiny Palm” is absolutely unforgettable. It starts with the theme from “Nagisa” but quickly makes way for riya’s heartfelt delivery which takes us through the story from start to finish. The initial meeting with Nagisa is heard at the very beginning and through that fateful encounter, their lives are changed, and for the better. Although the feelings of love take awhile to build up, when it shines, it does so radiantly through the chorus where riya expresses the characters’ hopes and dreams as they vow to face life’s challenges as a couple. I cannot get over how beautifully this song imparts its themes as it uplifts the spirit through the genuine emotions it instills in the heart of the listener and it is by far the best song on the soundtrack.

Tiny Palm
[audio:217 Clannad.mp3]

Although the third disc consists of arrangements that are enjoyable, but nowhere as integral as the first two discs, it’s worth finishing since it’s the conclusion of a long, but fruitful journey in the same way the anime series is. Through it all, the music succeeds in being a heartfelt addition as it not only takes us through the joys and the sorrows, it also serves as a subtle reminder to us all to cherish the relationships we have and to build new ones along the way.

Rating: Excellent


Anime Instrumentality's Founder and Editor-in-Chief. As you can probably guess, I'm a big anime music junkie with a special love for composers who've put out some beautiful melodies to accompany some of my favorite anime series. I tend to gravitate towards music in the classical style with Joe Hisaishi and Yoko Kanno being a few of my favorite composers, but I've come to appreciate jazz and rock as anime music has widened my tastes.

31 thoughts on “Clannad Original Soundtrack – Review

  • September 22, 2009 at 6:44 pm

    Excellently worded review. I like Tiny Palm as well and I agree with you. Hurry, Starfish? *groan*

    Maybe I should get around to finishing the After Story sometime.

  • September 23, 2009 at 9:00 am

    You should! The first 8 episodes of the ~AS~ might be a hit or miss, but once you get past that, it starts getting really really good.

    And hey, Fuko has fans. I know they exist :p

  • September 24, 2009 at 4:22 am

    Couldn’t agree more~

    A good example of high quality ost that needs more exposure. The ost, just like its anime, is just filled with emotions.

  • September 24, 2009 at 4:51 am

    This is the one album where I wouldn’t mind listening to every instrumental piece. 🙂
    It’s just a roller coaster ride of goosebumps, wet eyes and more goosebumps.

    @zzero @reltair
    Fuko fans comes in hordes! Lol… 🙂
    lostty@animeprincess and meimi@meimi132 are some of them. I like her too though not a big fan or anything.

  • September 24, 2009 at 6:01 pm

    It really seemed like Orito hated this soundtrack. He has some really great, memorable themes (Fuuko’s, Nagisa’s, Kyou’s), but then the majority of the OST-ish parts are incredibly bland and forgettable. Not coincidentally, there are a billion remixes of the memorable themes which requires less mentally-taxing composing and more rearranging which is muuuuch easier.

    you should do GiTS OST! =p

  • September 24, 2009 at 9:01 pm

    Yup, it’s a wonderful OST. When you’re looking for emotional, heartfelt tracks, this one of those albums that’ll definitely come to mind.

    One of its strong points is its ability to take you on that long, emotional journey, but one that bears fruit at the very end, so yes, very good from start to finish.

    Nagisa was composed by Maeda and Togoshi did Fuuko’s. Which effectively leaves him with Kyou’s theme. The bland-ness, I think, is something that’s true for most VN soundtracks since the music is oftentimes meant to generate an atmosphere to go with the narrative, but even here, I thought it was good (obviously, your mileage varies since this is, through and through, background music).

    I’ll consider this a request, though what happened to you and your Yoko Kanno is BAD!!! sentiments? :p

  • September 26, 2009 at 8:27 am

    “the music is always hovering just out of sight, but the impact it delivers when it needs to can transform a scene that’s merely sad into one that’s emotionally wrenching.”

    I cannot agree with you more. The background music in Clannad helps to bring out the emotions of the character best. The animation and the voice acting contributed a lot to it as well, it’s just that the background music helps to give some sort of finishing touch.

    Overall I love Clannad’s music. OST2 also contain some VERY good and emotional music pieces. I hope to see your review of it as well ^_^

  • September 28, 2009 at 10:43 pm

    Is there an OST2? I don’t recall hearing such a thing, so if you can point it out to me, that’d be very helpful :p

  • October 2, 2009 at 1:42 pm

    I’m guessing it’s a mistake or something since I don’t think I would have let something like that slip under my radar (though it’s happened before!). None of my sources confirm the existence of such an album.

  • November 27, 2009 at 2:04 pm

    Where can I buy this soundtrack? I can’t find it anywhere.

  • December 1, 2009 at 2:19 pm

    I got mine from Kinokuniya, though I lucked out since they didn’t have that many copies left. Best of luck in finding this album though. It’s worth it!

  • December 23, 2009 at 12:38 am

    When I first watched Clannad, I thought the music was pretty forgettable. I don’t know what I was smoking at the time. I also thought the first season was rather boring, but it won me over because the main male actually got with the main female.

    For example, I watched Shakugan no Shana solely for the romance. When it got ruined in the first episode of the second season, I couldn’t bear anymore. That’s just me, I guess, and I absolutely adored Shana’s character, so it was a shame.

    So when After Story came out I:
    A) Thought it would be more harem stuff and sine the first season seemed dull to me, it wasn’t worth it
    B) Thought it was an OVA that only lasted a few eps. I clearly didn’t do any research.

    So over this last summer I ran into the scene of Nagisa giving birth and I cried like a baby. After spoiling a few more things for myself, I vowed to watch it after school let out.
    I did, and it was fantastic. Now I’m planning to rewatch the entire series as soon as I get time, and have asked for the DVDs for Christmas.

  • December 23, 2009 at 1:41 am

    Oh yes, that episode of Nagisa giving birth made for one of the most unforgettable moments of the show because of how heartrending the moments were during that segment. The music, I thought, was definitely spot-on in capturing that moment since it brings back so many fond memories that one can’t help but feel a deep sense of loss as a result.

    Glad you found the show (and the soundtrack) enjoyable!

  • December 29, 2009 at 8:53 am

    The music for Clannad After Story is really excellent, my particular tear-raiser is “The place where wishes come true”. Even today just rehearing so much of the music I have had to bring out the tissues. Clannad was an experience, and it was made so much more emotional by the music that went with it.

  • December 30, 2009 at 12:32 am

    Definitely. The power that the music adds to the scenes are just too good because of how subtle it is, yet, it hits all the right triggers to bring on that rush of emotions.

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  • September 8, 2010 at 9:17 am

    did you know Snowfield’s sheets for piano can somebody help me please

    • September 8, 2010 at 10:28 pm

      You might want to ask some of the transcribers like Josh and AnimeNZ for some sheets if that’s what you’re looking for. Sorry that I can’t help =P

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  • January 29, 2011 at 3:39 pm

    One of the musics that gives a real blow when you play the Visual novel is “Distant years”. The scene when Nagisa remember everything that happened until she graduates is outstanding and this music gives this scene a strong effect. But, Nagisa ~ Farewell at the Foot of a Hill it’s still the best, no doubts about that.

    • January 30, 2011 at 6:04 pm

      @Hoshi Akari
      I can imagine and I really did like the music that played during the graduation scene. But like you said, nothing hits harder than “Farewell at the Foot of a Hill” in terms of emotions. Gotta love how the extent of the pain is brought out through the music.

  • December 24, 2011 at 3:40 am

    where can you buy this?

  • July 19, 2013 at 2:41 pm

    i really enjoy hearing the melody “nagisa” . for some reason it gives me a special feeling like all that harsship i have had and happiness of my life come together and form some type of diffrent feeling its not like i just dont feel this anime but i can interact with it i have been looking for this melody i really like it and its won of the few was i really feel and enjoy thank you alot for posting this and taking the time to do this it really means alot for me

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  • December 15, 2013 at 8:46 pm

    I have a question. Are there any Anime OSTs of this quality? I don’t think I have ever listened to a whole album this satisfied before. I’d like a bland of catchy music to go with some beautiful and/or emotional music.

  • December 20, 2013 at 8:37 pm

    I watched this show a few years ago, and while I’m not totally head over heals for it, I do appreciate the soundtrack.

    Actually, it has piqued my interest in Celtic folk music, particularly that of Scottish and Irish influence.

    I have to admit I’m a total newbie when it comes to this style of music, and I would love any recommendations that you Mr. Nguyen (zzeroparticle, or anyone else I suppose) could give.

    I particularly enjoy the sound of “Run Along the Chartreuse Pavement” (Moegi iro no Ishidatami wo Kakeru) – on the Clannad ost ‘Mabinogi’.

    I’m not going to ask you to search Google for me, but if you could give me the name of the style of music, perhaps more specific, or different, than Celtic folk music. Anything with flutes or bagpipes would be a good place for me to start.

    Thank you for your time and have a great day,


    • January 3, 2014 at 3:01 am

      Well, if you’re looking for some place to start, I’d definitely recommend checking out the soundtrack to Someday’s Dreamers. It’s got a lot of folk music strewn in there and makes for a very wonderful, laid-back listen.

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