The Music For Spring 2012′s Anime Season – Thoughts Thus Far

Intro by zzeroparticle: Normally, I write these things prior to the start of a new anime season. What could be more fun than mindlessly speculating over what such and such composer would deliver upon given the content of an anime? Well, the timing was bad and I never actually got around to completing it, so you’ll have to content yourself with my thoughts of the music from actually watching the anime in question. This might be for the best since the opinions given are informed (slanted though they be, given my musical tastes).

Anyway, as far as TV shows are actually concerned, there’s much to look forward to as far as this spring season goes, both in the quality of the shows and the quality of the BGM, so let’s dive in! (No coverage on opening or ending themes as usual, I’m afraid.) [Read more…]

2nd Annual Anime Music Awards – The Best of 2011

2011 wasn’t just a very solid year for anime. On the anime music front, we were treated to a considerable number of soundtracks and opening and ending themes that left an imprint upon our collective subconscious. While heavy hitters like Puella Magi Madoka Magica’s soundtrack rocked our world with haunting, memorable themes, this year also saw quiet efforts from other composers bubble forth, leaving us enamored with their compositions. Opening and ending themes also saw a mix of old and new artists make their stamp upon the year, with a fine example of both being Triple H’s (new artists) and Etsuko Yakushimaru’s (established artist) work on Mawaru Penguindrum. With so much in tow, we at Anime Instrumentality would like to present the first of three articles looking back on 2011 by talking about the best 2011 had to offer musically. [Read more…]

Fractale’s ED and Japan’s Nostalgic Drive Toward Irish Music

Today’s guest post comes courtesy of TWWK over at Beneath the Tangles and I have to say that we’re in for an ethnomusicological treat. Now, ethnomusicology has always been an interesting area of study and I’m sorry to say that I just haven’t had the opportunity to dig into it further because it’s interesting to read up on how cultural exchanges transform music. TWWK’s entry delves into a cultural infusion, namely the one that brought Irish/Celtic music to Japan. It’s enlightening to get that understanding on why the Japanese took to this new style and I hope you get a lot out of this as much as I did! So without further ado, here’s TWWK: [Read more…]

Previewing the Music For Winter 2012′s Anime Season

Intro by zzeroparticle: For those of you who follow this site pretty closely, you may have noticed that the Fall 2011 preview was conspicuously absent. School hammered me pretty hard and I just wasn’t able to find the time to put it together. To make amends, allow me to say this: Kousuke Yamashita’s work on Chihayafuru’s soundtrack is my most anticipated anime soundtrack from the current crop of Fall shows. Yes, I’m looking forward to it more than I’m looking forward to Yuki Kajiura’s work on Fate/Zero and more than Hiroyuki Sawano’s work on Guilty Crown. If you’ve never been exposed to Kousuke Yamashita’s work on either Glass Fleet or Shion no Ou and enjoy good music, you owe it to yourself to give both soundtracks a whirl just to see what he’s capable of.

Anyway, this niche column once again makes its return for Winter 2012. And like columns past, this one is sparse on plot elements since its focus is on the composer rolls, stuff they’ve done in the past, and wild speculation as to how well their music will mesh with the series in question. Onwards and sideways! (Note: sequels are not covered here.) [Read more…]

5 Ways to be More Engaged with Your Music

It’s easy to see music as a one-way road. We may at times see listening to music as a disengaged activity, passive observation. It’s a final product presented to us, the end consumer, as a finished work for us to enjoy; is there any need to mentally invest ourselves?

[Read more…]

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